Popular Bands In The 60s
On The Acoustic

Bus Stop is from the bands album of the same name. The Hollies, a British rock and pop group, consisted of Graham Nash, Allan Clarke, Tony Hicks, Eric Haydock, and Bobby Elliott during the recording of "Bus Stop."

Bus Stop was written by Graham Gouldman, who also wrote For Your Love for The Yardbirds and No Milk Today for Hermans Hermits. The Hollies released this one as a single from their 1966 album of the same name.

The song reached #5 in both the UK and the US. The song was a #2 in Australia and a #1 in Canada.

This one I play in standard tuning  playing a root down up down up root up down up rhythm pattern with a quick shuffle. Some lead required in this one with the chords Am, G, C, F, Em and a B7.

Carrie Anne was a big hit for The Hollies in 1967 when it was released.

The song peaked at #3 in the UK and was a top 10 in several countries including the US where it reached #9. The track eventually ended up on The Complete Hollies album 1963-1968.

For rhythm here play a down down up down up down up and repeat pattern using the chords C, F, G  and an A# in standard tuning. A bit of lead in this one.

Gasoline Alley Bred can be found on their 1970 "Gold" album.

The song was released as a single and reached #4 in NZ, #17 in Australia and #14 in the UK.

I play this one in standard tuning  with a down down down up down up and repeat rhythm pattern and a bit of lead work. For chords, play G, F, C, Gmaj7, E7, D7, Am7, Dsus, D, G/F and a  Cm.

He Ain't Heavy was first recorded by Kelly Gordon in 1969 but when The Hollies released their version later in 1969, it was a monster hit worldwide.

Neil Diamond had success with his release also in 1970.

Elton John played on The Hollies track of 1969.

This one has a few chords including G, D, C, D7, D/Gb, Am7, Ddim, Em, F, D7sus, Eb and a G6. No lead work here in standard tuning with a  down down down up down up and repeat rhythm pattern.

Long Cool Woman was released back in 1971 as a single and did reach #1 in Canada and South Africa and #1 on the Cash Box US chart.

The song first appeared on their "Distant Light" album.

You can play a down down down down up and repeat rhythm pattern but no lead, just a riff. The chords you'll need are Em, G, D/Gb, A, E and a B.

Look Through Any Window was a single in 1965 and peaked at #4 in the UK, #3 in Canada and their first top 40 in the US reaching #32.

A few groups have covered this song including Gary Lewis And The Playboys.

It eventually ended up on their greatest hits album.

I play a capo 2nd fret on this one using a down up stop up down up stop up and repeat rhythm pattern. No lead but a few riffs with the chords G, F, C, Am and D7.

The Air That I Breathe was released as a single in 1974. This was a huge hit, hitting the top 5 in several countries and reachIng #1 in NZ, #2 in the UK and #6 in the US. The song was written by Albert Hammond who also released his version a few years earlier in 1972.

You'll find this one on the album "Hollies".

The chords here are C, A#, E7, F, Fm, Em, G and Gm with some lead in standard tuning. I use a cap 3rd fret and a bit of lead work. Play a down down up - up down down up down - and repeat for a rhythm pattern.

Walk Away Renee was a 1966 hit for The Left Banke, reaching #5 on the US and New Zealand and #3 in Canada.

The track is from the album of the same name.

For rhythm here play a down down up down up down up and repeat pattern in standard tuning. A bit of lead during the rhythm while playing the chords D, A/Db, B, A, E/Ab, G, D/Gb, Gbm, E, Bm, B7, Gbm/F, A6 and a Gbm6.

The Way You Look Tonight song dates back to 1936 when Fred Astaire sang the song in a film called Swing Time.

Up through the years other artists recorded the song including Phil Collins, Rod Stewart, Bing Crosby and in 1961, The Lettermen had a #13 in the US and a #36 in the UK with their version.

The chords here are Em, C, B7, Dbm, Gbm, E, G, Gb, F, D, Bm and Am, played in standard tuning and no lead work. For rhythm play a down down down up down down and repeat pattern with some down strokes in places.

A Day Without Love was a hit single for The Love Affair, released in 1968. It appeared on their debut album, "The Everlasting Love Affair," which was also released that year.

The song performed well on the UK Singles Chart, peaking at number 6 and further solidifying the band's popularity following their number one hit "Everlasting Love." Written by Philip Goodhand-Tait, "A Day Without Love" showcased Steve Ellis's powerful vocals and the band's signature blend of pop and soul.

I play this one with a down down up down up down up rhythm pattern. There is some d-cending orchestration line in here which can be duplicated slightly on the acoustic. The chords you'll need here are G, D/Gb. F, E7, Am, Am/G, D, C/G, C and an Em.

Darlin' Be Home Soon was written by John Sebastian and released in 1967. It was one of the band's biggest hits, reaching #15 on the US Billboard Hot 100 chart.

The song is a love ballad in which the singer is pleading with his lover to come home soon. The lyrics express a deep longing and a sense of urgency to be reunited with the person he loves. The song features a gentle melody with a distinctive harmonica riff and vocal harmonies.

"Darlin' Be Home Soon" has been covered by a number of artists over the years, including Joe Cocker, Cass Elliot, and Tedeschi Trucks Band. The song has also been featured in several movies and TV shows, including "The Simpsons," "Mad Men," and "The Vampire Diaries."

Overall, "Darlin' Be Home Soon" is a classic love song that has stood the test of time and continues to be beloved by fans of The Lovin' Spoonful and classic rock music. The track can be found on their album Everything Playing.

Did You Ever Have to Make Up Your Mind is another hit song by The Lovin' Spoonful, written by the band's lead singer and songwriter, John Sebastian. It was released in 1966 as a single from their debut album, "Do You Believe in Magic."

The song features a catchy melody with a mix of folk and rock elements, and its lyrics deal with the uncertainty of making decisions in love. The singer advises a friend who is struggling to choose between two romantic prospects, encouraging him to make up his mind before it's too late.

"Did You Ever Have to Make Up Your Mind?" became a major hit for The Lovin' Spoonful, reaching #2 on the US Billboard Hot 100 chart. It remains one of the band's most popular and recognizable songs, and has been covered by numerous artists over the years, including The Beach Boys and Yo La Tengo.

Nashville Cats by The Lovin' Spoonful was written by the band's leader John Sebastian. It was released in 1966 as a single and later included on their album "Hums of the Lovin' Spoonful."

" Nashville Cats" was a hit for The Lovin' Spoonful, reaching #8 on the US Billboard Hot 100 chart. It has since become a beloved classic of the folk-rock genre, and has been covered by numerous artists over the years, including John Denver, Waylon Jennings, and Steve Wariner.

This one can be played in standard tuning with a root down root up down up and repeat rhythm pattern. A few riffs needed with the chords C, G and F.

Rain On The Roof  was released in 1966 as a single and later included on their album "Hums of the Lovin' Spoonful." The song was written by the band's leader John Sebastian.

"Rain on the Roof" was a moderate hit for The Lovin' Spoonful, reaching #10 on the US Billboard Hot 100 chart.

The song has been covered by several artists over the years, including The Cowsills and Eric Clapton.

The chords here are D, A7, G, Am, E7 and Em with a root down up root up down up rhythm pattern, Some picking required in standard tuning.

Summer in the City was a  1966 single and later included on their album "Hums of the Lovin' Spoonful." The song was written by the band's leader John Sebastian, along with Mark Sebastian (John's brother) and Steve Boone.

"Summer in the City" was a major hit for The Lovin' Spoonful, reaching #1 on the US Billboard Hot 100 chart. It remains one of the band's most popular and recognizable songs, and has been featured in numerous movies and TV shows over the years.

The song's innovative use of horns and other instruments, as well as its vivid depiction of city life, helped to establish The Lovin' Spoonful as one of the most innovative and influential bands of the 1960s folk-rock scene.

Wild About My Lovin' is a traditional blues song that was popularized in the 1920s and 1930s by various artists, including Mississippi John Hurt and Jimmie Rodgers. The song was later covered by The Lovin' Spoonful, who included it on their self-titled debut album in 1965.

The Lovin' Spoonful's rendition of "Wild About My Lovin'" was well-received by fans and critics alike, and helped to establish the band's reputation as a skilled interpreter of traditional folk and blues songs.

The song remains a popular part of The Lovin' Spoonful's catalog, and has been covered by other artists over the years, including Taj Mahal and Bonnie Raitt.

You Didn't Have To Be So Nice is a song by The Lovin' Spoonful, released in 1965 as a single and later included on their album "Daydream." The song was written by the band's leader John Sebastian, along with his friend and fellow musician Zal Yanovsky.

"You Didn't Have to Be So Nice" was a hit for The Lovin' Spoonful, reaching #10 on the US Billboard Hot 100 chart. The song has since become one of the band's most beloved and enduring classics, and has been covered by numerous artists over the years.

I play this one with a down up down up down up rhythm pattern and a capo 2nd fret in  standard tuning. A few riffs required with the chords D, Gbm, G, A7, A7sus and a Dmaj7.

California Dreaming an iconic song released in 1965, has become synonymous with The Mamas and The Papas' signature sound. It was featured on their album "If You Can Believe Your Eyes and Ears," released the same year. T

he song achieved remarkable success on the music charts, reaching the 4th position on the Billboard Hot 100 in the United States and the 23rd position on the UK singles chart.

Over the years, "California Dreamin'" has been covered by a multitude of artists and bands, attesting to its timeless appeal. Notable covers include renditions by Barry McGuire, Bobby Womack, José Feliciano, and even the Beach Boys.

I play a capo 3rd fret on this number in standard tuning. Some lead required with the chords Am, Esus, G, F, E, C and an E7. For rhythm play a down down up down up down up rhythm pattern. You can throw in an upstroke also as you'll see me do in the demo.

Creeque Alley released in 1967 as part of their album "Deliver," is a distinctive song in The Mamas and The Papas' repertoire. Unlike their chart-topping singles, "Creeque Alley" wasn't released as a single and didn't chart separately. However, it played a crucial role on their "Deliver" album, which reached No. 2 on the Billboard 200 chart, showcasing the album's commercial success.

Written by John Phillips and Michelle Phillips, two integral members of the band, "Creeque Alley" is an autobiographical narrative that offers a candid glimpse into the formation and early experiences of The Mamas and The Papas.

This one is played in standard tuning with no lead and the chords B7, E, Gb and a D. For rhythm play a simple root down bass up down up and repeat pattern.

Monday Monday was released in 1966 and is one of The Mamas and The Papas' most iconic songs. It was featured on their album "If You Can Believe Your Eyes and Ears." The song achieved remarkable success on the music charts, making it a memorable part of their musical legacy.

In the United States, it soared to the top of the Billboard Hot 100, securing the No. 1 position, while also reaching No. 3 on the UK singles chart. Written by John Phillips, the song captures the universal feeling of the start of the workweek, making it relatable to audiences worldwide.

For rhythm here play a down down up down down up down up and repeat pattern in standard tuning and no lead. The chords here are G, C, F, A#, D7, Gadd11 and an A.

The Walls Fell Down was written by The Bee Gees and recorded by The Marbles and released as a single in 1969. The song was a top 10 in The Netherlands and Belgium. Graham Bonnet sang lead on this one and takes it much higher then I do here.

Play a down down up down up down up pattern but it will get somewhat interrupted as you make some quick chord changes. The song is in standard tuning and does a two fret key change near the end of the song. Chords you'll need here are D, G, A7, B7, E and an A.

Reflections Of My Life was released in 1969 and was a huge top 10 hit in several countries worldwide. It never made it to #1 but got close in Ireland at #2.

The track hails from the album Reflections Of The Marmalade.

This one is played in standard tuning with some lead work required. The rhythm pattern is a down down up down down up down up and repeat will work throughout using the chords G, Bm, Em, G7, C, Am, D and a Dsus.

A Little Bit Me, A Little Bit You is a song written by Neil Diamond, which was recorded and released by The Monkees in 1967. The song was produced by Diamond's frequent collaborator, Jeff Barry, and reached No. 2 on the Billboard Hot 100 chart.

It was one of several hits for The Monkees in the mid-1960s, and helped cement their place as one of the most popular bands of the era.

Interestingly, "A Little Bit Me, A Little Bit You" was actually a solo recording by Monkees member Davy Jones, with the other band members providing backing vocals.

I play a capo 3rd fret here in standard tuning with the chords A, D, G, D/Gb and Em. For rhythm play a down down up down up down -- up up up down up down up and repeat pattern.

Daydream Believer is a song that was written by John Stewart and originally recorded by The Monkees in 1967. The song became one of the band's biggest hits, reaching number one on the Billboard Hot 100 chart in December of that year.

The song's success helped solidify The Monkees' status as one of the most popular bands of the 1960s, and it has remained a beloved classic in the years since its release.

I play mainly down strokes for rhythm in the beginning and then a steady down up down up and repeat pattern and some shuffle drum roll. In standard tuning with the chords G, C, Am7, G6, Em, D, D7, Bm and A7 but no lead.

I'm a Believer is a song written by Neil Diamond and originally recorded by The Monkees in 1966. The song was produced by Jeff Barry and features lead vocals by Monkees member Micky Dolenz.

"I'm a Believer" became one of The Monkees' biggest hits, reaching number one on the Billboard Hot 100 chart in December 1966 and remaining there for seven weeks.

This one I play with drop D tuning with the chords D7, G, D, C, G/F and F.  A bit of lead and a few riffs as you play a down up down up rhythm pattern.

Last Train to Clarksville is a song written by songwriting duo Boyce and Hart and originally recorded by The Monkees in 1966. The song features lead vocals by Monkees member Micky Dolenz and became the band's debut single, reaching number one on the Billboard Hot 100 chart in November of that year.

"Last Train to Clarksville" has been covered by numerous artists over the years, and has been featured in a variety of films, television shows, and commercials.

For rhythm play a root down root up down up and repeat with a built in riff but no lead. In standard tuning with the chords G, D7, C7 and F.

Papa Gene's Blues is a song written by Michael Nesmith of The Monkees, and was included on their 1966 self-titled debut album. The song features Nesmith on lead vocals and acoustic guitar.

Despite not being released as a single, "Papa Gene's Blues" became a fan favorite and has since become a classic of 1960s rock music.

The song's blend of rock, country, and blues influences helped pave the way for the country-rock movement that would emerge in the late 1960s and early 1970s.

I play a capo 2nd fret here in standard tuning and with some lead work. Play a root down up down up down up and repeat rhythm pattern with the chords G, Gb, E7, Am, D7, C and a D#.

Valleri is a song written by songwriting duo Boyce and Hart, and was recorded by The Monkees in 1968. The song features lead vocals by Monkees member Micky Dolenz and was released as a single, reaching number three on the Billboard Hot 100 chart.

In addition to its success as a single, "Valleri" has been featured in a variety of films, television shows, and commercials over the years, cementing its status as a beloved classic of 1960s pop music.

A down down up down up down up and repeat rhythm pattern will work for this one in standard tuning and the chords Gm, F, A#, D7, G, C and an Em. Just a few arpeggio riffs.

Free As The Wind was a single released by The Myddle Class in 1965. The song as far as I know never appeared on any album.

This one is played with a capo 3rd fret and played with mainly all down strokes. No lead here to worry about as you play through the chords C, A#, Am, F, Dm and a G.

Time Won't Let Me is from 1966 by The Outsiders, a band based out of Cleveland Ohio.

They managed a #5 hit in the USA and Canada. This song is from the album of the same name.

Play this song in standard tuning with some lead required and the chords A, Gbm, G, E, Bm, Dbm and a D. For rhythm you can play a down down up down up down up and repeat as well as some steady up and down rhythm.

Go All The Way  came out in 1972 on their first album, also called "Raspberries." It was their biggest hit, reaching number 5 on the US charts. The song is about wanting to be with someone and has a catchy vibe that many people loved.

Played with a capo 2nd fret for the original key the chords here are G, C, C/G, F, A#, Gm, Cm, Am, D7, Em, D, Bm, E7, D#, A, Em/D#, Em/D and a Em/C#. For rhythm play a down up pause up down up pause up pattern with a bit of lead in standard tuning.

Let's Pretend was on their second album, "Fresh," released in 1972. This song didn't do as well on the charts, but it still reached number 35 in the US.

It's a softer love song that shows off the band's skill with melodies. The song helped make The Raspberries famous for their power pop sound, which mixed rock energy with pop catchiness. This song are still played on radio stations today and are remembered as classic examples of 1970s power pop music.

I play this one in standard tuning with a down down up down up down up rhythm pattern with a few down stroke chops here and there. No lead but for chords you'll need a G, C/G, Am7, D7, Bm, Em, D, C, F and a B7.

Should I Wait is actually not a 60s song but a 1973 song from the bands album "Side 3".

The song was never released as a single.

I play a drop D tuning for this one and a capo 2nd fret. Some lead work here with the chords G, C, D, D/Gb, Em, B7 and A7 while playing a root down up root  up down up and repeat rhythm pattern.

Unchained Melody was a song in a 1955 film of the same name. The Righteous Brothers recorded their version in 1965. Of course these two lads were not actually brothers at all. Bobby Hatfield won a coin toss with his duet partner Bill Medley and took the lead vocals on this song as both wanted to sing the lead.

Phil Spector put this "throw away" song on a B-side assuming it would not get played but the DJ's proved him wrong and the song went to #4. It can be found on the album "Just One In My life.

Standard tuning here with the chords G, Em, C, D, Bm, G7, A# and Cm will get you through this one with no lead work. Play a down down up down up down down and repeat rhythm pattern.

You've Lost That Lovin Feeling was a huge #1 hit in both the UK and the US when it was released in 1964.

The song can be found on the album of the same name.

Be My Baby was one of five singles from the only album ever recorded by The Ronettes. Three of the five singles were top 10s and this track made it to #2 in the US and was a top 10 in several countries.

Walk Right In is an old blues tune from 1929 that was revived in 1963 by a group called Rooftop Singers who had a huge #1 in several countries with their re-make.

The song is on their album of the same name.

I like to play a drop D tuning in this one with a capo 1st fret and some lead. The chords here are G, E7, C, C7, A7 and a D7 with a root up down up rhythm pattern with some riffs all through the song

Love Potion No. 9 is a well known song by The Searchers, released in 1963. It was first written and recorded by others, but The Searchers' version became the most popular.

The song tells a funny story about a man who gets a love potion from a gypsy. After drinking it, he has some crazy love experiences. The Searchers' version has their special guitar sound and good singing together.

It was a big hit, reaching number three in both the UK and US charts. This helped make The Searchers more famous during the time when many British bands were becoming popular in America.

I play this song in standard tuning with the chords Am, Dm, C, E, and B with a few riffs blended into the rhythm. Play a root down up down up root up down up rhythm pattern here.

Needles And Pins is one of The Searchers' most famous songs, released in 1964. It was written by Sonny Bono and Jack Nitzsche, but The Searchers made it a hit.

The song did very well on music charts, reaching number one in the UK and number 13 in the US. It's about the pain of losing someone you love. The song's catchy tune and emotional lyrics made it popular with many people.

"Needles and Pins" is still loved today and has been performed by other musicians, including Tom Petty. It's an important part of The Searchers' history and shows how they helped shape 1960s music.

Played in standard tuning with a riff using the chords G, Em, C, D, A, B7, G, Gb, B and Abm. Use a root down root up down up and repeat rhythm pattern.

What Have They Done To The Rain was actually one of the first protest songs towards the environment when it was released back in 1964 by The Searchers. They have a #2 in Canada and a #13 in the UK and a #29 in the US.

This one is played with a root down up down up down up down up and repeat rhythm pattern in standard tuning and with no lead. The chords are E, Gbm, B7, Dbm, Abm, A and a D. I'm playing a capo 3rd and singing low but it's played without a capo and sung on the high end of E.

When You Walk in the Room is a famous song by The Searchers, originally written by Jackie DeShannon in 1963. The Searchers' version, released in 1964, became a big hit.

It's a happy, upbeat song about how someone special can light up a room. The song did very well on music charts, reaching number three in the UK and number 35 in the US.

The Searchers were known more for their hit singles than full albums, but they did release several albums in the early 1960s.

While "When You Walk in the Room" wasn't on their original albums, it's often included in collections of their best songs because so many people love it.

Played in standard tuning with just a few riffs, use a down down up down up down up and repeat rhythm pattern with a few down-strokes leading into the verses. The chords you'll need are G, C, Em, G6, D, Em, A7 and a D/Gb.

A World Of Our Own was written by Tom Springfield and was recorded by The Seekers in 1965. It was released as a single and hit the top 10 in several countries including a #1 in South Africa. It peaked at #19 on the Billboard Hot 100.

The song is a gentle and romantic ballad that features Judith Durham's lead vocals, accompanied by the group's trademark harmonies and acoustic instrumentation.

The song has become one of The Seekers' most beloved songs and it is still played and enjoyed by fans around the world.

I play this one with a capo 3rd fret in standard tuning and the chords G, D, C, Bm, Em, A7, E7, B7 and a D7. Play a root down up down up down up and repeat rhythm pattern and pick the main riff in places throughout the song.

Georgy Girl is one of the most well-known and popular songs by The Seekers. It was written by Tom Springfield and Jim Dale and was recorded by the group in 1966. The song was also featured as the title track for the British film of the same name, which was released in the same year.

The song was a huge hit for The Seekers, reaching the top of the charts in several countries, including the US, UK, and Australia. It has since become a classic of the 1960s pop era and is still played and enjoyed by many people today.

The album release in the US was changed from the British release of "Come The Day" to "Georgy Girl". 

This song also just has a main picking riff you'll blend into the chords which are C, Em, F, Gsus, G, A#, Am, E7, D7 and an Am/G. Play a down up stop up down up stop up and repeat rhythm pattern in standard tuning.

I'll Never Find Another You is one of the most well-known and beloved songs by The Seekers. It was written by Tom Springfield.

The song was released as a single in 1965 and became an instant hit, reaching the top of the charts in Australia and the UK. In the US the song reached #4 and #2 on two separate charts.

The track can be found on "The Best Of The Seekers" album and in 1967, country artist Sonny James took it to #1.

I play a capo 3rd fret with drop D tuning in this one with the chords G, C, D, A7, D7, Bm and  a D/C. Just a main picking riff while playing a root down up down up down up and repeat rhythm pattern.

Morningtown Ride was not a song by The Seekers but came from Malvina Reynolds. The Seekers covered the song on 1966 for their album Hide & Seekers and took their version to #2 in the UK. It reached #44 in the US.

Play this one with  a root down up down up down up and repeat rhythm pattern with the chords G, G7, C, Am, Em, D and a D7. There is no lead in the original but I put in a lead break here in my version in standard tuning.

Red Rubber Ball is a song that was written by American songwriters Paul Simon and Bruce Woodley (who was a member of The Seekers) and was recorded by The Seekers in 1966. The song was originally recorded by American folk-rock band The Cyrkle in the same year.

The Seekers' scored a #1 In Canada, South Africa and New Zealand and a #2 in the US.

This track can be found on The Seekers "Come The Day" album. Mel Torme, Neil Diamond and Cliff Richard are some of the artists who have also covered the song.

Play a root down up down up down up and repeat rhythm pattern here with the chords G, Em, Bm, C, D, D/Gb, Am and B7 in standard tuning. There is a riff you'll need to play with the rhythm pattern root down up down up down up and repeat.

The Carnival Is Over is from an old Russian folk song that Tom Springfield converted over to English and wrote lyrics so it could be recorded by The Seekers back in 1965.

The song is a powerful and emotive ballad that features Judith Durham's lead vocals, accompanied by the group's distinctive harmonies and acoustic instrumentation.

The song has become a concert closer since 1965. The song was #1 in the UK, Ireland and Australia. This song was released as a single and not part of an album until the 1968 release of "The Seekers Greatest Hits" album was released. German group Boney M also covered the song.

I use a capo 2nd fret with drop D tuning for this number with a down down up down down and repeat rhythm patterm. No lead to deal with as you play through the chords A7, D, G, D, Bm, A7sus, Gbm and a  C.

Walk With Me was a song by The Seekers which was featured on their album "All Bound for Morningtown."

"Walk with Me" is a gentle and heartfelt ballad that features Judith Durham's emotive vocals, accompanied by the group's signature harmonies and acoustic instrumentation. The song was written by the group's guitarist, Keith Potger, and was released in 1966.

Play a capo 2nd fret in standard tuning for this one with the chords Am, Dm, E7, G, C, A7, Fm and an Esus. A bit of lead while playing a down down up down up down down down and repeat rhythm pattern.

Let The Feeling Begin is a song by The Steam Machine but it's difficult to find any info on this song. 

I'm not sure but this may be a song from 1971 and the band may be based out of Germany. I'll leave it here for the time being.

For rhythm here a down down down up down up and repeat pattern will work in standard tuning and a capo 2nd fret to keep the original key. There is some lead while playing the chords D, G, Em, A7, Fm, A#, D# and G#.

The Lion Sleeps Tonight is a song from the band The Tokens. They were an American doo-wop group that gained fame in the 1960s. They are best known for their hit single "The Lion Sleeps Tonight," which reached No. 1 on the Billboard Hot 100 chart in 1961.

The song is a reworking of a South African Zulu song titled "Mbube" by Solomon Linda.

This one has a capoed 2nd fret with Drop D Tuning but only three chords which are D, G and A. There are a few riffs in this one while playing the rhythm down up down up and some muted shuffles.

Happy Together was released as a single by The Turtles back in 1967 and reached #1 in the US market although they did have a few top 10 hits.

This one hails from the album "Happy Together".

I'm playing this one with a capo on the 4th fret in standard tuning and no lead work here. The chords are Dm, C, A#, A, Am7 and F using a down up down up and repeat rhythm pattern with some shuffle strumming.

You Baby is a song by The Turtles that was released in 1966. It was written by P.F. Sloan and Steve Barri, who were renowned songwriters and producers during the 1960s. The song became one of The Turtles' notable hits, reaching number 20 on the Billboard Hot 100 chart.

The Turtles' rendition of "You Baby" became a radio favorite and contributed to their growing popularity during the mid-1960s.

It's worth noting that "You Baby" has also been recorded by other artists, including The Lovin' Spoonful and Cher, further showcasing its appeal and versatility as a well-loved song from the era.

This one is played with a steady up and down rhythm pattern and one spot where you'll play all down strokes. It's a capo 4th if you can sing that high but I'm om the 2nd fret in standard tuning play the chords G, Bm, C, D, Am7 and a G6. A few riffs only in this one.

You're The One was a song co-written by Petula Clark and Tony Hatch back in 1965 but they decided not to record a version themselves. The song made it's way to The Vogues who recorded it that same year and scored a #4 hit in the US and a #55 in Australia with the song.

The Sun Ain't Gonna Shine Anymore was recorded by Frankie Valli and written by Bob Crewe and Bob Gaudio back in 1965, but the Walker Brothers had more success with their version in 1966 reaching #1 in the UK.

The song was also a top 10 in several countries and a #13 in the USA.

Just a few riff in here in standard tuning playing a down down up down down up and repeat rhythm pattern and some down strokes. The chords are D, Em, A, G and A7.

That Thing You Do, is a song by The Wonders, a fictional band from the 1996 film "That Thing You Do!" written and directed by Tom Hanks. The movie is about a one-hit wonder band from Erie, Pennsylvania, in the 1960s.

The song was written by Adam Schlesinger and recorded by the real band Fountains of Wayne. Although The Wonders are not a real band, their story and music pay tribute to 1960s pop rock and the experiences of real bands from that era.

This one is in Drop D Tuning and a capo 2nd fret with the chords D, G, A, Bm, G7, C, A7, D7, Gm, A/A#, A7sus and A#. Several rhythm patterns including and down up down up while playing a walking bass, some down strokes and chops throughout. Some lead work in this one.

For Your Love was a departure from the blues sound of this band when they recorded and released this song in 1965. It became a top 10 in both the UK and the US. But in spite of that, guitarist Eric Clapton left the band because the band took this direction.

The song is from their 1965 studio album of the same name.

The rhythm pattern here is a down up down up down up down up and repeat pattern in standard tuning. No lead to worry about playing the chords Em, G, A, Am, B, E and Dbm.

The Wine Song was never released as a single by the group.

It can be found on their 1967 album "Earth Music".

The chords for this one are G7, G, C, C7, F, E7, A7, D7 and B7 in standard tuning and no lead work. For rhythm play a root down root up down up and repeat pattern.

Good Lovin was a single release by The Young Rascals in 1966. The song had been recorded twice before the Rascals did their version. 

The song hit #1 in the US in the spring of 1966 and can be found on their album "The Young Rascals".

Only four chords here and they are D, G, A and E in standard tuning. A few riffs and a little lead work while playing a steady down up down up down up rhythm pattern.

She's Not There was the first single in 1964 from The Zombies, a British rock band. It's a song that would become very famous.

You can find this song on their first album called "Begin Here." The song was written by their keyboard player, Rod Argent.

"She's Not There" did really well on the music charts. In the United States, it climbed all the way to the second position on the Billboard Hot 100, which is quite high!

In the United Kingdom, it reached the 12th spot on the UK Singles Chart. This means a lot of people were listening to this song and liked it very much.

You can play this one in standard tuning with a down down up down up down up and repeat rhythm pattern and no lead. The chords here are Am7, A, Am, D, Dm, E7 and a C.

Tell Her No is a song that was released in the same era, during the 1960s, when The Zombies making a name for themselves in the music world. "Tell Her No" was one of their most well-known songs.

Just like "She's Not There," "Tell Her No" also did really well on the music charts. In the United States, it reached the 6th position on the Billboard Hot 100, which is a great achievement for a band. It was a catchy tune that a lot of people enjoyed listening to.

This song was written by Rod Argent, the same member who wrote "She's Not There." He was the band's keyboard player and a talented songwriter.

"Tell Her No" left a lasting legacy. It's considered one of the classics from the 1960s. Over the years, different artists and bands have covered this song because it's such a great tune.

This one has a down down up up down up - down down up up down up and repeat rhythm pattern with a few chops here and there. Played in standard tuning, there is no lead here while you play through the chords Em7/A, Dmaj7, E7, A6, Bm, D, Em and a G6.

Time Of The Season also had a lot of success on the music charts. In the United States, it became a massive hit, reaching the 3rd position on the Billboard Hot 100. This showed how much people loved this song and the band's music.

The track was written by Rod Argent, the talented keyboard player of The Zombies. He was not only good at playing the keyboard but also at creating wonderful songs

"Time of the Season" is not just a song from the past; it's a timeless piece of music that has left a lasting mark on the world of rock and pop.

For chords here you'll play an Em, C, G, G6 and Am7 in standard tuning but some lead is required here. Play a down down up down down up down up rhythm pattern but this one has a riff with a quick shuffle as well.

You Were On My Mind was a folk song originally by Canadian artists Ian and Sylvia Tyson. We Five turned it into a pop hit in 1965, scoring a #1 on the US charts.

The track can be found on the album of the same name.

I use a capo 2nd fret on this number in standard tuning and no lead required. Play all down stroke for rhythm with the chords D, G, A, Em, Gbm, Gb, B7, E, Abm, Gbm and an Ab.

In The Year 2525 was released by Zager and Evans,  who were a duo in the 1960's.

This #1 song in 1969 in both the US and the UK. It was released five years earlier but didn't do much on the charts until the duo got on the RCA label.

This song does half steps climbs so you'll start with the chords Abm, Gb, E, Eb and then change key to include the chords Am, G, F, E, A#m, G#, Gb and an F. You can play a down down up down down up pattern and repeat in standard tuning and some shuffle strumming near the end.