Old Rock And Roll Bands Songs
On The Acoustic

Baby Blue is one of Badfinger's most iconic songs, featured on their 1971 album "Straight Up." The song was a significant success for the band, reaching No. 14 on the Billboard Hot 100 chart in the United States.

Written by Pete Ham, the song's melodic and catchy sound struck a chord with listeners, making it a memorable part of the power pop genre. Its chart success solidified Badfinger as a prominent force in the early 1970s rock and pop music scene.

A noteworthy piece of trivia about "Baby Blue" is its role in the television series "Breaking Bad." The song was featured in the series finale, and this exposure led to a resurgence of interest in the song and Badfinger's music.

 I play this one with  capo 2nd fret with a down up down down and repeat rhythm pattern with no lead. The chords here are A, E, D, A/Db, G, Bm, Dbm,  Gbm,  Gbm/F, C and Bm/A.

Day After Day is another notable track from Badfinger's 1971 album "Straight Up." Written by Pete Ham, the song became one of the band's most recognizable hits, reaching No. 4 on the Billboard Hot 100 chart in the United States.

"Day After Day" has continued to enjoy popularity over the years, with its timeless melody making it a favorite choice for radio play and inclusion in various compilations of classic rock songs.

One interesting piece of trivia about the song is that it features George Harrison of The Beatles on slide guitar. Harrison's contribution to the song added a distinctive and memorable element to its sound.

I use a drop D tuning here with a capo 3rd fret with some lead. Some lead required with a down down up down up down up and repeat rhythm pattern. The chords here are D, G, A, C, D/Em and D/Gb.

No Matter What is a classic rock song by Badfinger, featured on their 1970 album "No Dice." This track, written by Pete Ham, stands as one of the band's signature tunes and exemplifies their talent for crafting infectious rock melodies.

"No Matter What" made a significant impact on the music scene, reaching No. 8 on the Billboard Hot 100 chart in the United States.

Over the years, "No Matter What" has maintained its popularity, becoming a staple in classic rock radio playlists and compilation albums.

One interesting piece of trivia about the song is that it was produced by the legendary Todd Rundgren, adding an extra layer of musical excellence to the track.

I play a down down up up down up and repeat rhythm pattern in standard tuning. Some lead required with the chords G, C, D, Am, Em, A7, D7 and an F.

Hysteria by Def Leppard stands as a rock anthem from their 1987 album of the same name. The song, characterized by its infectious energy and melodic hooks, became a significant hit, reaching #9 on the US charts, #13 in Canada, and #26 in the UK.

The album, "Hysteria," marked a pivotal moment in Def Leppard's career, showcasing a shift toward a more polished sound and incorporating elements of glam metal and hard rock. The track's success can be attributed to its catchy chorus, dynamic guitar riffs, and Joe Elliott's distinctive vocals.

"Hysteria" is a testament to Def Leppard's ability to craft memorable and accessible rock songs that resonated with a global audience. The song remains a staple in the band's catalog, representing the high-energy and melodic style that defined their presence in the 1980s rock scene.

Pour Some Sugar On Me is a quintessential rock anthem by Def Leppard, emerged from their highly successful 1987 album "Hysteria." This explosive song soared to #2 on the US Rock charts, making a significant impact on music enthusiasts.

Its infectious blend of hard rock and glam metal, coupled with Joe Elliott's distinctive vocals, propelled the song to #8 in Ireland and #18 in the UK. Known for its iconic guitar riffs and memorable chorus, "Pour Some Sugar On Me" became synonymous with the 1980s rock scene.

The track's popularity endures, making it a timeless symbol of Def Leppard's influence on the genre. Its dynamic energy and sing-along quality have solidified "Pour Some Sugar On Me" as one of Def Leppard's signature hits, continuing to captivate audiences and inspire a new

Too Late For Love by Def Leppard, released as a single in 1983 from their acclaimed "Pyromania" album, is a captivating rock ballad that showcases the band's melodic prowess. The song reached #9 on the mainstream rock charts, reflecting its popularity and resonance within the rock community.

While achieving success in the US, it also made a mark in the UK, reaching #86. Known for its anthemic quality, emotive lyrics, and the distinctive vocals of Joe Elliott, "Too Late for Love" epitomizes Def Leppard's ability to blend hard rock with memorable melodies.

The "Pyromania" album, marked by its polished sound and commercial success, solidified Def Leppard as a dominant force in the rock scene of the 1980s. "Too Late for Love" remains a testament to the band's songwriting skill and enduring influence on the genre.

Bad Time is a song written by Mark Farner and sung by Grand Funk. It became really popular, reaching number 4 on the Billboard Hot 100 in June 1975. You can find it on their album from 1974 called All the Girls in the World Beware!!!

The song was made with the help of producer Jimmy Ienner and arranger Tony Camillo. It was the group's fourth big hit, and it was the last one to make it to the Top 10 on the charts. It was also the last time they had a song in the Top 40 in the U.S.

After "Bad Time" came out, the group changed their name back to Grand Funk Railroad. Later, in 1995, The Jayhawks made their own version of the song, putting it on their album Tomorrow the Green Grass. It got to number 40 on the UK Singles Chart.

I Can Feel Him In The Morning is from the 1971 album E Pluribus Funk. This song was written by Mark Farner but the track was never released as a single and wasn't played often in live concerts.

The album "E Pluribus Funk" featured a die-cut cover shaped like a silver coin. The inside of the cover showed a photo of the band with a fan's tribute message.

There was no music video produced for this song.

Locomotion has been recorded by several artists including GFR but they did not write the song.

It was actually written by Carole King and Gerry Goffin. The track can be found on their 1974 album Shinin On and was released as a single, reaching No. 1 on the Billboard Hot 100 in the United States.

This number was played in live concerts and you can view several performances on Youtube.

"Locomotion", GFR style, is a cover of the Little Eva hit, and Grand Funk Railroad's version became a major success for the band. There was no music video produced for this song.

Some Kind Of Wonderful hails from the bands 1969 album "Grand Funk".

The track was released as a single and managed to hit No. 3 on the Billboard Hot 100 in the United States and was a staple in their live performances.

The song was written by  John Ellison and Grand Funk Railroad's version became one of their signature songs. Notable covers include versions by Huey Lewis and the News and Michael Bublé.

There was no music video produced for this song.

We're An American Band was written by drummer Don Brewer and can be found on the bands1973 album of the same name.

The track was released as a single and reached No. 1 on the Billboard Hot 100 in the United States. This track, with it's high energy vibe was played at virtually every Grand Funk Railroad concert. There is live footage of these performances on Youtube.

There have been covers of this song but it's mainly associated with Grand Funk.

A music video for "We're an American Band" was produced. It features footage of the band on tour and has become iconic, especially with the prominent use of a cowbell.

This song also became Grand Funk Railroad's first No. 1 hit.

Going to the Run by Golden Earring is on their album called "Bloody Buccaneers," released in 1991. They also put out the song as a single, and it did really well on the charts, especially in the Netherlands, where it reached number 3.

The music video for the song is cool, directed by Dick Maas, a Dutch film director. In the video, a motorcycle rider crashes and gets taken care of by a nurse. People love this song because it's emotional and has strong music.

The success of "Going to the Run" and the "Bloody Buccaneers" album helped Golden Earring become popular again in the early 1990s.

For chords here you'll need a G, Em, C, D, Am, B7 with a few riffs and in standard tuning. Play an arpeggio to start and then down down up down up and repeat rhythm pattern.

Radar Love was a huge hit for Golden Earring back in 1973 when it was released as a single from their album "Moontan." The song reached the #1 spot in the Netherlands, #6 in Belgium, #7 in the UK, and #13 in the United States.

This track marked Golden Earring's first entry into the US Rock Charts. While music videos were not as common in the 1970s, there was a promotional film for "Radar Love." The video showed the band performing the song in a studio, mixed with driving scenes and images related to the song's theme of being on the road.

The song's lyrics, written by Barry Hay and George Kooymans, talk about freedom and adventure, capturing the spirit of the open road. The term "Radar Love" reflects a strong connection between people, even over long distances.

The chords here are Gbm, A, E, D and Db with some lead in standard tuning. For rhythm here play a down stroke and a down down up down up down up in the chorus.

Twilight Zone by Golden Earring, released in 1982 from their "Cut" album, was a big hit for the band. It topped the charts in the Netherlands at #1 and did well in other countries, reaching #5 in Belgium and #10 in the United States.

This made it their highest-charting single in the US. The music video for "Twilight Zone" is cool, directed by Dick Maas. It combines live-action and animated parts, creating a unique and interesting visual experience that matches the mysterious feel of the song.

"Twilight Zone" has been featured in movies, TV shows, and commercials, showing its lasting popularity. It's a song that helped Golden Earring continue to be known for creating memorable and successful music in the rock genre.

Some lead required here with a down down up down down up and repeat rhythm pattern in standard tuning. The chords here are Bm, Em, Gb, A, G and Gbsus.

Hannah Jane was one of three singles from the debut album by Hootie And The Blowfish in 1994 called Cracked Rear View.

This track only peaked on a track in Iceland at #23.

Hold My Hand was a single from 1994 from the debut album by Hootie And The Blowfish called Cracked Rear View.

The single was a #2 on the US Pop charts and #4 on the US Rock charts. In Canada the song peaked at #36.

Only Wanna Be With You was a huge single for Hootie And The Blowfish in 1995 when it was released as a single.

The song was a #1 in both Canada and the US and is from their debut album Cracked Rear View.

All Dead All Dead was written by Brian May about a pet cat that had died when he was a young boy. The song was never released as a single.

The track can be found on the album "News Of The World".

The rhythm pattern here can be down strokes or use a down up down up repeat pattern. The chords here are Dmaj7, G, D, Em, A/Db, Daug, Bm, Gb7, A, Gb, A/Gb, D/Gb, Bm/A, Gbsus and a Gaug. No lead in this one with a capo 3rd fret and in standard tuning.

Crazy Little Thing Called Love hit the airwaves in 1979 and can be found on the album "The Game".

The song was a #1 in Australia, Canada and the US and a top 10 in several others.

For chords here play D, G, C, A#, E and A with some lead and in drop D tuning. The rhythm pattern is a simple down up down up down up and repeat.

Fat Bottomed Girls hails from the bands 1978 album Jazz.

The song was actually a B side to a song called Bicycle Race.

Played in standard tuning with a down up down up down up and repeat rhythm pattern with the chords D, C, G and A. No lead required.

Hammer To Fall was one of four singles from Queen's 1984 album called The Works. The other three singles charted in the top 10 where this song peaked at #13 in the US.

This has a muted shuffle or just play down strokes with the A, D/A, E/A, E, D, G, and a Gbm in standard tuning. I have an improved lead break in this one.

I Want To Break Free was a single from the band in 1984 from their album "The Works".

The song was a #1 in several countries and a top ten in several more.

I play this one in drop D tuning with a capo on the 2nd fret. For rhythm play a down up down down up down and repeat pattern and be prepared for some lead in this song. The chords you'll need are Bm, A, G, D, Dsus and E7.

Listen To Your Heart is one of Roxette's most iconic songs, featured on their 1988 album "Look Sharp!" Written by the dynamic duo of Marie Fredriksson and Per Gessle, this power ballad quickly became a global sensation.

The song's impact was truly remarkable, reaching No. 1 on the Billboard Hot 100 chart in the United States and remaining there for a three-week run.

One interesting piece of trivia about the song is that its distinctive intro and melody were originally composed on a synthesizer.

For rhythm here play a down down up down up down - down up down up down up and repeat rhythm pattern with some lead in standard tuning. For chords play a Bm, G, A, Em, B, Db, Gb and an Ebm.

Place Your Love is a track off of Roxette's Crash Boom Bang album from 1994.

The album itself was a significant release for the band and included some of their notable songs. "Place Your Love" did not have achieved the same level of recognition as some of their more popular hits and song was never released as a single.

Played in standard tuning with some lead and the chords D, C, G6, G, Bm, A and an E. For rhythm play a down down up down up down - down up down up down up and repeat pattern.

The Look is one of Roxette's signature songs, featured on their 1989 album "Look Sharp!" Written by the talented duo of Marie Fredriksson and Per Gessle, this catchy and upbeat track became an international sensation and played a pivotal role in Roxette's global breakthrough.

"The Look" charted impressively, reaching the top spot on the Billboard Hot 100 in the United States and staying there for an impressive four weeks. It also secured high positions on charts worldwide, catapulting Roxette to international stardom.

One interesting tidbit is that "The Look" initially wasn't intended to be a single, but it became one when a radio DJ in the United States discovered the track and started playing it on the airwaves. This unexpected turn of events led to its remarkable success.

I play this one in standard tuning with a bit of lead in standard tuning. Play a down up down up - down - down up down up down down and repeat rhythm pattern with an A, G, D, C, F and an E.

Linger was released in 1993 from the album "Everyone Else Is Doing It So Can't We?" marked a pivotal moment in The Cranberries' career. The song, written by the band's lead vocalist Dolores O'Riordan and guitarist Noel Hogan, beautifully captures the essence of longing and unrequited love. Its ethereal sound and heartfelt lyrics resonated with audiences globally, propelling The Cranberries to international fame.

Beyond its chart success, "Linger" has become a timeless classic, often celebrated for its emotionally charged composition and O'Riordan's distinctive vocals. The music video, directed by Melodie McDaniel, further complemented the song's evocative nature, featuring dreamlike visuals that enhanced the overall impact of the track.

A few riffs in this one with a down down up down up down - down up down up down up and repeat rhythm pattern. Played in standard tuning with the chords G, D, A, C, Gbm, D(add11) and an A6.

When You're Gone is from The Cranberries' 1996 album "To The Faithful Departed" stands as a poignant testament to the band's ability to craft emotionally resonant ballads. Penned by Dolores O'Riordan, the song explores themes of separation and loss, showcasing the band's signature blend of melodic rock and heartfelt lyricism.

Released as one of three singles from the album, "When You're Gone" captivated audiences with its evocative melodies and O'Riordan's soul-stirring vocals. The song's success extended beyond its chart positions, as it became a fan favorite and is often remembered for its introspective and touching lyrics.

I play a capo 1st fret on this one with no lead and in standard tuning. Play a 1-2-3 up down up where 1-2-3 is arpeggio on the notes of the chords which are D, Bm, Gbm, A and a G.

Zombie is arguably The Cranberries' most iconic and successful single, is featured on their 1994 album "No Need to Argue." The song, written by Dolores O'Riordan, carries a powerful anti-war message inspired by the 1993 IRA bombing in Warrington, England.

The impact of "Zombie" was felt globally, achieving remarkable chart success. The song reached the number one spot in several countries, including France, Australia, and Germany, underscoring its international appeal.

In the United States, "Zombie" topped the Billboard Modern Rock Tracks chart and secured a place in the top 40 of the Billboard Hot 100.

I play this one in standard tuning with a down down up down up down up down up down up and repeat rhythm pattern. Some lead with the chords Em, Cmaj7, G, D/Gb .

In Between Days is a standout track from The Cure's 1985 album "The Head on the Door." Written by the band's frontman, Robert Smith, the song combines the band's distinctive post-punk and new wave influences with catchy pop sensibilities.

"In Between Days" was well-received by music critics and fans alike and made its mark on the music charts. In the United States, the song reached No. 99 on the Billboard Hot 100 chart, contributing to The Cure's growing success on the international stage.

Over the years, "In Between Days" has been covered by various artists, demonstrating its enduring popularity and influence. It has been re-imagined by musicians from diverse genres, a testament to the song's timeless appeal.

I play this on standard tuning with a few riffs and a steady up and down shuffle rhythm pattern with accents. You'll need an A, D, Bm and an E.

Just Like Heaven is another iconic song by The Cure, featured on their 1987 album "Kiss Me, Kiss Me, Kiss Me." The track is a quintessential representation of The Cure's ability to blend dreamy pop melodies with a touch of post-punk edge, creating a timeless classic.

Written by the band's frontman, Robert Smith, "Just Like Heaven" is one of The Cure's most recognized and beloved songs. Its captivating melody, introspective lyrics, and Smith's distinctive vocals have made it a fan favorite and an enduring hit.

Chart-wise, "Just Like Heaven" performed impressively, reaching No. 40 on the Billboard Hot 100 chart in the United States, further solidifying The Cure's presence in the international music scene.

The chords here are G, D, Am, C, Em and F with some riffs in the rhythm and a capo 2nd fret. Play a down down up down up down up and repeat rhythm pattern.

The Lovecats is a whimsical and memorable song by The Cure, released on their 1983 album of the same name, "The Lovecats." Written by the band's lead vocalist and songwriter, Robert Smith, the track is a delightful blend of pop, new wave, and elements of their signature gothic style.

This charming and catchy song achieved significant success, reaching No. 7 on the UK Singles Chart. Its upbeat melody and playful lyrics make it a standout in The Cure's discography. "The Lovecats" is often celebrated for its quirky and unique sound, which stands out in the band's extensive catalog.

One interesting note is that "The Lovecats" features a prominent use of a double bass, a somewhat unconventional instrument in pop music, adding to the song's distinctive charm.

A little picking here in standard tuning with an Am, F, C, Dm and Em while playing a root down root up down up and repeat rhythm pattern.