Music Bands From The 60s
On The Acoustic

For What It's Worth was recorded Buffalo Springfield and written by the group's guitarist and vocalist Stephen Stills. The song was released in January 1967 as a single and later included on their self-titled debut album.

The recording features Stills on lead vocals and guitar, with fellow band members Neil Young on guitar and Richie Furay on backing vocals. The song is notable for its distinctive guitar riff and the use of tremolo and reverb effects.

The song was not initially a commercial success, only reaching #7 on the Billboard Hot 100 chart, but it has since become one of the most enduring and iconic songs of the 1960s.

I play this one in standard tuning with a a steady up and down rhythm pattern. A bit of lead here with the chords E, A, D, C and a G/A.

Kind Woman from Buffalo Springfield, was written by the group's bassist and vocalist Richie Furay. The song was included on their third and final album, "Last Time Around," which was released in 1968.

The recording features Furay on lead vocals and rhythm guitar, with Stills on lead guitar, Neil Young on piano, and Jim Messina on bass. The song's arrangement is notable for its use of harmonies and counterpoint, particularly in the instrumental break.

"Kind Woman" was not released as a single and did not receive significant airplay, but it has since become a fan favorite and has been covered by several artists.

This one is also in standard tuning but with a down down up down up and repeat rhythm pattern while playing the chords C, G, C#, D, Db and an Em. Some lead required.

Mr. Soul is a song by Buffalo Springfield, written by the group's guitarist and vocalist Neil Young. The song was included on their second album, "Buffalo Springfield Again," which was released in 1967.

The recording features Young on lead vocals and guitar, with Stephen Stills on backing vocals and lead guitar, and Richie Furay on rhythm guitar. The song's arrangement is notable for its use of distortion and feedback, which was relatively uncommon in mainstream rock music at the time.

"Mr. Soul" was released as a single in the United States and Canada, but did not chart. However, the song has since become a classic of the psychedelic rock era and has been covered by several artists.

This one can be played with the three chords E, A and D in standard tuning with all down strokes for rhythm. A little picking during the rhythm on this one.

On the Way Home was written by the group's guitarist and vocalist Neil Young. The song was included on their third and final album, "Last Time Around," which was released in 1968.

The recording features Young on lead vocals and guitar, with Richie Furay on backing vocals and rhythm guitar, Stephen Stills on backing vocals and bass guitar, and Jim Messina on lead guitar.

"On the Way Home" was not released as a single and did not receive significant airplay, but it has since become a fan favorite and has been covered by several artists. The song is considered one of the highlights of "Last Time Around," which marked the end of Buffalo Springfield's brief but influential career.

You can play this one with a capo 2nd fret but no lead required in standard tuning. I play a root up down up root up down up and repeat rhythm pattern with the chords C, F, Cmaj7, Fmaj7, Em, Dm, A# and a  Bbmaj7.

Rock and Roll Woman is a song by Buffalo Springfield, written by the group's bassist and vocalist Bruce Palmer. The song was included on their second album, "Buffalo Springfield Again," which was released in 1967.

"Rock and Roll Woman" was released as a single in the United States, but did not chart. However, the song has since become a classic of the rock genre and has been covered by several artists. The song's upbeat energy and catchy melody have made it a favorite of many Buffalo Springfield fans.

In this number I play a down down up down up down up and repeat rhythm pattern while in standard tuning. A riff is played here in various places in lieu of lead work with the chords F, D, Am7 and Dm7 (optional).

Hush was written by Joe South and first recorded by Billy Joe Royal in 1967. Deep Purple covered the song a year later and had a #5 hit with their version.

The song can be found on their "Shades Of Deep Purple" album from 1968.

I play this one with a capo 3rd fret using a down up down up shuffle rhythm pattern and a few riffs in standard tuning. The chords you'll need are G, F, D, E, A and A7.

I'm Telling You Now became a #1 hit back in 1965. The song was released in the UK a few years earlier and reached #2.

You can find the track on the album of the same name.

You'll find the chords change quickly in this song with a basic root down up root up down up rhythm pattern in standard tuning. A little picking in this one with the chords G, C, D, Am7, D7, Em, G6 and an F.

Count Me In was a single released in 1965 and reached #2 in the US and #6 in Canada.

The song hails from their album "A Session With Gary Lewis & The Playboys".

This one has a steady down down up down up down up rhythm pattern with a few chords in standard tuning. Chords here are an F, A#, Db, C, Am, C7 and a Gm. A little bit of lean here in standard tuning.

This Diamond Ring climbed to the top of the Billboard Chart in Feb 1965. The group did play on the track and The Wrecking Crew came in later for some over-dubbing.

The song can be found on the album of the same name.

This arrangement is in Abm with a Db, A7, D, A/Db, Bm, Bm/A, Gbm, Em and a D#. The rhythm pattern here is a down down up down down up and repeat. There is a decending bass line and I'm not in the original key with this one. Some picking work required.

Lady Willpower was a single released from this groups 1968 album which consisted of songs written by the band. Their two previous albums contained several cover songs by other artists. Lady Willpower went to #2 on the Hot Billboard 100 in the summer of 1968.

This one is quite high vocally which has the chords C, F, G, Dm, A#, Em, Fm. The song does a one fret move in the middle of the song but not here in my version.

A few picking riffs needed in the beginning and middle of the song with a down up pause up and repeat rhythm pattern.

Woman Woman was a single released back in 1967 from the bands debut album of the same name. Session musicians from the wrecking crew recorded the music and the song reached #1 in Canada and #7 in Australia. With a re-release in 1974 the song reached #6 in the UK.

The Lettermen, Jim Glaser (the writer) and Glen Campbell all covered this one.

For the rhythm pattern here you can play a root down up root up down up or a quick shuffle with a root down up down up root up down up. You'll also play a few down stroke chops as well. No lead in this one but a key change so the chords needed in standard tuning are A7, D, Gbm, G, Em, Gm, B7, E, Abm, A, Dbm and an Am.

Young Girl was released in March of 1968, 6 months after Woman Woman and also was a huge song for the group, reaching #2 on Billboard and making it to #1 in the UK. This one hails from the album "Young Girl".

The wrecking crew session musicians were also used on this track and on the re-release of the song 6 years later in 1974, it re-entered the UK chart reaching #6.

I play this one with a capo 2nd because of vocal issues and the song being too high vocally. The rhythm pattern here is a down down up down up down up and repeat in standard tuning. The chords you'll need here are Dmaj7, G, Gbm, E7, A, C, A# and a Gb.

I Like It reached #1 in the UK in the summer of 1963 and peaked at #17 in the US. It was also used in an Australia mini-series called "Peter Alien: Not The Boy Next Door".

This track can be found on their 1964 album "Gerry And The Pacemakers 2nd Album".

This one has a fast paced steady down up down up rhythm pattern with a G, C/G, C, Am, Em, D, Bm and an Em. No lead here but one riff to learn in standard tuning.

I'll Be There was written by Bobby Darin who recorded his version of the song in 1960. In 1963 Gerry And The Pacemakers had a #1 hit in Canada with their version.

Elvis Presley recorded the song in 1969 and Cass Elliott covered it as well in 1972.

This one is played in standard tuning with the chords G, Em, Am, D, C, B7, G7, A7 and a Cm. I play a root down up root up down up pattern for most of it and then some down stroke chops. Some lead required in this one.

Boom Boom was included on the 1965 album from The Animals called "Animal Tracks."The song was originally written and recorded by blues legend John Lee Hooker, and The Animals' version pays homage to the original while adding their own unique touch.

In The Animals' version of "Boom Boom," Burdon sings about a woman who has left him, but he can't seem to let go of his feelings for her.

Overall, "Boom Boom" is a classic blues rock track that showcases The Animals' talents as a band and Eric Burdon's powerful vocals.

I play this number with a capo 3rd fret in standard tuning. The chords here are D, F, G, A#, C and A with some lead required as you play some down strokes and a down up down up rhythm pattern as you move through the song.

Don't Let Me Be Misunderstood is a classic song that was released by The Animals as a single in 1965 and appeared on their album "Don't Let Me Be Misunderstood." The song was written by Bennie Benjamin, Gloria Caldwell, and Sol Marcus and was originally recorded by Nina Simone in 1964.

"Don't Let Me Be Misunderstood" became one of The Animals' most popular and enduring hits, and it has been covered by numerous artists over the years, including Elvis Costello and Santa Esmeralda.

This number played with a capo 2nd fret in standard tuning with picking for just the main riff. For rhythm you'll use a shuffle pattern while playing a riff, some down strokes in the verse and a down up stop up pattern as you move thru the chorus. For chords you'll play am Am, Dm, G, F, E7 and a C.

The House of the Rising Sun is perhaps the most famous song recorded by The Animals. The song was released as a single in 1964 and quickly became a massive hit, reaching the top of the charts in the UK, US, and several other countries.

The song is a traditional folk song that tells the story of a life gone wrong in New Orleans, where a person must spend their life in a "house of ill repute" called the Rising Sun.

The Animals' version of "The House of the Rising Sun" is a powerful and emotive rendition that features Eric Burdon's distinctive vocals and a haunting organ riff that drives the song forward.

You can play this one in standard tuning with some lead required. I'm using a rake pattern blended with some arpeggio in the beginning and then I use a down down up down up down down down rhythm pattern with the chords Am, C, D, F and an E7.

It's My Life is a song recorded by The Animals that was released as a single in 1965 and later included on their album, "Animal Tracks." The song was written by Roger Atkins and Carl D'Errico and was originally recorded by the American band, The Animals.

"It's My Life" was a departure from the bluesy sound that The Animals were known for and showcased the band's ability to experiment with different styles.

The song has since become a classic of the rock genre and has been covered by numerous artists over the years, including Bon Jovi and No Doubt.

Play this one with a capo 1st fret in standard tuning and some lead required. The chords here are G, Dm, C, B and an F. For rhythm play a down up down up along with  down down up down up down up and in some places chop the rhythm mixed with some riffs.

River Deep, Mountain High was recorded by The Animals in 1968 for their album, "Love Is." The song was originally written by Phil Spector, Jeff Barry, and Ellie Greenwich and was famously recorded by Tina Turner in 1966.

The Animals' version of "River Deep, Mountain High" features Eric Burdon's powerful vocals and a driving rhythm section, with a wall of sound production that was characteristic of Phil Spector's work.

Despite its initial lack of commercial success, "River Deep, Mountain High" has gone on to become one of the most beloved songs of the 1960s, with numerous artists covering the track over the years.

This one I play with drop D tuning using a steady up and down fast pace for rhythm with some riffs. Some lead required with the chords D, G, A and C.

Don't Talk to Strangers is a notable song by The Beau Brummels, featured on their album "The Beau Brummels, Volume 2," released in 1965. The song, like many of their works, captures the essence of folk-rock and pop that defined the band.

In terms of chart success, "Don't Talk to Strangers" didn't chart as highly as some of their other hits. Nevertheless, it resonated with fans and showcased The Beau Brummels' ability to craft melodic, harmonious tunes.

I play this one in standard tuning with a down down up down up down up and repeat rhythm pattern and no lead. The chords you'll need are D, F, G, A, Bm, E and a Gbm.

Laugh Laugh is one of the standout tracks by The Beau Brummels, featured on their 1965 debut album, "Introducing... The Beau Brummels." This song played a pivotal role in launching the band's career and capturing the essence of the mid-60s pop and folk-rock sound.

"Laugh, Laugh" was a massive success for the band, reaching No. 15 on the Billboard Hot 100 chart.

A notable piece of trivia about the song is that it was the first hit single for The Beau Brummels. It helped pave the way for their future success and established them as one of the prominent bands of the mid-60s.

I play a capo 2nd fret for this one with the chords Em, Em/Db, Am, G, C, F, D, A#, D# and G# in standard tuning. No lead while playing a root up down up and repeat rhythm pattern as well as a root down up down up root up down up and repeat pattern.

Turn Around is a significant song by The Beau Brummels, featured on their 1968 album, "Bradley's Barn." This track represented a departure from their earlier folk-rock sound, reflecting the evolving musical landscape of the late 60s.

"Turn Around" didn't chart as highly as some of their earlier hits, but it showcased the band's willingness to experiment with new styles.

An interesting piece of trivia about the song is that it was written by Ron Elliott, one of the band's core members.Some Nashville musicians performed on this track including Jerry Reed. The Everly Brothers also covered the song in 1968.

This one you can play with a drop D tuning and guitar tuned down one fret. I play a root down up root up down up and repeat rhythm pattern with no lead and the chords D, C, C/B and a G.

Chimes of Freedom is a song written by Bob Dylan in 1964, and it was first released on his album "Another Side of Bob Dylan." The song is a tribute to the freedom fighters and the oppressed, and it has been interpreted as a protest against the Vietnam War and the civil rights movement.

The Byrds recorded their version of the song in 1965 for their third album, "Fifth Dimension." The Byrds' version of the song features their signature jangly guitars and tight vocal harmonies. The song was released as a single, but it failed to chart

Play a down down up down up down up and repeat rhythm pattern here but no lead required in standard tuning. For chords you'll need a G, C, Em, D and an Am.

Hickory Wind is a song written by Gram Parsons and Bob Buchanan, and it was first recorded by The Byrds in 1968 for their album "Sweetheart of the Rodeo." The song is a wistful, melancholy ballad about homesickness and longing for a simpler way of life.

"Hickory Wind" has come to be seen as one of Gram Parsons' signature songs, and it is often cited as a classic example of country-rock. The song's poignant lyrics and timeless melody have ensured that it remains a beloved favorite of both Byrds and Parsons fans alike.

The three chords here are G, C and D in standard tuning and some lead work. Play a root down up down up and repeat rhythm pattern.

I'll Feel a Whole Lot Better is a song written by Gene Clark, who was a founding member of The Byrds. The song was first released on the band's debut album, "Mr. Tambourine Man," in 1965

"I'll Feel a Whole Lot Better" was released as a single in 1965, but it failed to chart. However, the song has since become one of The Byrds' most popular and enduring tracks, and it has been covered by numerous artists over the years, including Tom Petty and the Heartbreakers, The Bangles, and Yo La Tengo.

This one has an arpeggio pattern throughout with a cap 2nd fret but no lead work. For chords you'll need a C, G6, Am, Am/G, Am/Gb, Am/F and a D/Gb.

Mr. Spaceman is a song written by Jim McGuinn (later known as Roger McGuinn) and was released by The Byrds in 1966 as a single and later included on their album "Fifth Dimension."

"Mr. Spaceman" was a minor hit for The Byrds, reaching #36 on the Billboard Hot 100 chart. The song has since become a fan favorite and is often cited as one of the band's most whimsical and lighthearted tracks.

The song has also been covered by a number of other artists, including The Lemonheads and The Minus 5.

Some lead required here with a root down root up down up and repeat rhythm pattern with the chords G, A7, D, C, G6 and an Am.

Mr. Tambourine Man is a song written by Bob Dylan and famously covered by The Byrds in 1965. The song was a critical and commercial success, and it helped establish The Byrds as one of the most innovative and influential bands of the mid-1960s.

The Byrds' version of "Mr. Tambourine Man" features a distinctive jangly guitar sound, which became a hallmark of the band's style.

The song was a massive hit for The Byrds, reaching #1 on the Billboard Hot 100 chart in 1965.

Only three chords here and they are D, A and a G with just some lead in the beginning and end and played in standard tuning. For rhythm play a root up down up root up down up and repeat pattern.

Turn! Turn! Turn! (To Everything There Is a Season) is a song based on a passage from the Bible's Book of Ecclesiastes. The song was written by Pete Seeger in the late 1950s and first recorded by the folk group

The Limeliters in 1962. The most famous version of the song, however, was recorded by The Byrds in 1965 and became a hit single.

The song was a commercial success for The Byrds, reaching #1 on the Billboard Hot 100 chart in late 1965.

Some lead in this number in standard tuning while playing a root down up root up down up and the use a rake pattern using a root down up root up down up in the chorus sections. The chords here are  D, G, D/Gb, A7 and an Em.

Friday On My Mind come from the down under group The Easybeats and hit the airwaves in 1966. This song was a popular worldwide hit.

The track is from the album "Good Friday".

A simple down up down up rhythm pattern in standard tuning and a few quick riffs throughout. The chords here are Dm, G, C, F, A7, G7, Cm, A#, D, E, A, E7, Am, D7 and a Bm.

Here Comes That Rainy Day Feeling Again was co-written by three writers of The Fortunes and was a top 40 hit for the group back in 1971.

The song hails from the album of the same name.

Play this one in standard tuning using a down up down up and repeat rhythm pattern with a few downstrokes for the riff. The chords are C, F, A#, Fm, Em, Gsus and G.

Here It Comes Again was a #4 in Canada and the UK in 1965 and peaked at #27 in the US.

This song has no lead work but does have a few horn which can be duplicated in the rhythm which is a down pause up down up down up and repeat pattern with a few down strokes in places. A capo 2nd fret with these chords is the original key. The chords you'll need are G, D, Gmaj7, A, E, F, A# and an A7.

You've Got Your Troubles is a song by The Fortunes that was released in 1965 as a single by The Fortunes, a British pop rock band.

"You've Got Your Troubles" was written by Roger Cook and Roger Greenaway, who were a prolific songwriting duo known for their contributions to the British pop music scene. The song became a major hit for The Fortunes, reaching number two on the UK Singles Chart and number seven on the Billboard Hot 100 in the United States.

The Fortunes' version of the song remains the most well-known and successful rendition.

This one has a a steady down down up down up down up rhythm pattern with a bit of lead work in the middle with standard tuning. The chords here are G, A, Cm, D7, F, D, C and Am.

California Dreaming an iconic song released in 1965, has become synonymous with The Mamas and The Papas' signature sound. It was featured on their album "If You Can Believe Your Eyes and Ears," released the same year. T

he song achieved remarkable success on the music charts, reaching the 4th position on the Billboard Hot 100 in the United States and the 23rd position on the UK singles chart.

Over the years, "California Dreamin'" has been covered by a multitude of artists and bands, attesting to its timeless appeal. Notable covers include renditions by Barry McGuire, Bobby Womack, José Feliciano, and even the Beach Boys.

I play a capo 3rd fret on this number in standard tuning. Some lead required with the chords Am, Esus, G, F, E, C and an E7. For rhythm play a down down up down up down up rhythm pattern. You can throw in an upstroke also as you'll see me do in the demo.

Creeque Alley released in 1967 as part of their album "Deliver," is a distinctive song in The Mamas and The Papas' repertoire. Unlike their chart-topping singles, "Creeque Alley" wasn't released as a single and didn't chart separately. However, it played a crucial role on their "Deliver" album, which reached No. 2 on the Billboard 200 chart, showcasing the album's commercial success.

Written by John Phillips and Michelle Phillips, two integral members of the band, "Creeque Alley" is an autobiographical narrative that offers a candid glimpse into the formation and early experiences of The Mamas and The Papas.

This one is played in standard tuning with no lead and the chords B7, E, Gb and a D. For rhythm play a simple root down bass up down up and repeat pattern.

Monday Monday was released in 1966 and is one of The Mamas and The Papas' most iconic songs. It was featured on their album "If You Can Believe Your Eyes and Ears." The song achieved remarkable success on the music charts, making it a memorable part of their musical legacy.

In the United States, it soared to the top of the Billboard Hot 100, securing the No. 1 position, while also reaching No. 3 on the UK singles chart. Written by John Phillips, the song captures the universal feeling of the start of the workweek, making it relatable to audiences worldwide.

For rhythm here play a down down up down down up down up and repeat pattern in standard tuning and no lead. The chords here are G, C, F, A#, D7, Gadd11 and an A.

Reflections Of My Life was released in 1969 and was a huge top 10 hit in several countries worldwide. It never made it to #1 but got close in Ireland at #2.

The track hails from the album Reflections Of The Marmalade.

This one is played in standard tuning with some lead work required. The rhythm pattern is a down down up down down up down up and repeat will work throughout using the chords G, Bm, Em, G7, C, Am, D and a Dsus.

A World Of Our Own was written by Tom Springfield and was recorded by The Seekers in 1965. It was released as a single and hit the top 10 in several countries including a #1 in South Africa. It peaked at #19 on the Billboard Hot 100.

The song is a gentle and romantic ballad that features Judith Durham's lead vocals, accompanied by the group's trademark harmonies and acoustic instrumentation.

The song has become one of The Seekers' most beloved songs and it is still played and enjoyed by fans around the world.

I play this one with a capo 3rd fret in standard tuning and the chords G, D, C, Bm, Em, A7, E7, B7 and a D7. Play a root down up down up down up and repeat rhythm pattern and pick the main riff in places throughout the song.

Georgy Girl is one of the most well-known and popular songs by The Seekers. It was written by Tom Springfield and Jim Dale and was recorded by the group in 1966. The song was also featured as the title track for the British film of the same name, which was released in the same year.

The song was a huge hit for The Seekers, reaching the top of the charts in several countries, including the US, UK, and Australia. It has since become a classic of the 1960s pop era and is still played and enjoyed by many people today.

The album release in the US was changed from the British release of "Come The Day" to "Georgy Girl". 

This song also just has a main picking riff you'll blend into the chords which are C, Em, F, Gsus, G, A#, Am, E7, D7 and an Am/G. Play a down up stop up down up stop up and repeat rhythm pattern in standard tuning.

I'll Never Find Another You is one of the most well-known and beloved songs by The Seekers. It was written by Tom Springfield.

The song was released as a single in 1965 and became an instant hit, reaching the top of the charts in Australia and the UK. In the US the song reached #4 and #2 on two separate charts.

The track can be found on "The Best Of The Seekers" album and in 1967, country artist Sonny James took it to #1.

I play a capo 3rd fret with drop D tuning in this one with the chords G, C, D, A7, D7, Bm and  a D/C. Just a main picking riff while playing a root down up down up down up and repeat rhythm pattern.

Morningtown Ride was not a song by The Seekers but came from Malvina Reynolds. The Seekers covered the song on 1966 for their album Hide & Seekers and took their version to #2 in the UK. It reached #44 in the US.

Play this one with  a root down up down up down up and repeat rhythm pattern with the chords G, G7, C, Am, Em, D and a D7. There is no lead in the original but I put in a lead break here in my version in standard tuning.

Red Rubber Ball is a song that was written by American songwriters Paul Simon and Bruce Woodley (who was a member of The Seekers) and was recorded by The Seekers in 1966. The song was originally recorded by American folk-rock band The Cyrkle in the same year.

The Seekers' scored a #1 In Canada, South Africa and New Zealand and a #2 in the US.

This track can be found on The Seekers "Come The Day" album. Mel Torme, Neil Diamond and Cliff Richard are some of the artists who have also covered the song.

Play a root down up down up down up and repeat rhythm pattern here with the chords G, Em, Bm, C, D, D/Gb, Am and B7 in standard tuning. There is a riff you'll need to play with the rhythm pattern root down up down up down up and repeat.

The Carnival Is Over is from an old Russian folk song that Tom Springfield converted over to English and wrote lyrics so it could be recorded by The Seekers back in 1965.

The song is a powerful and emotive ballad that features Judith Durham's lead vocals, accompanied by the group's distinctive harmonies and acoustic instrumentation.

The song has become a concert closer since 1965. The song was #1 in the UK, Ireland and Australia. This song was released as a single and not part of an album until the 1968 release of "The Seekers Greatest Hits" album was released. German group Boney M also covered the song.

I use a capo 2nd fret with drop D tuning for this number with a down down up down down and repeat rhythm patterm. No lead to deal with as you play through the chords A7, D, G, D, Bm, A7sus, Gbm and a  C.

Walk With Me was a song by The Seekers which was featured on their album "All Bound for Morningtown."

"Walk with Me" is a gentle and heartfelt ballad that features Judith Durham's emotive vocals, accompanied by the group's signature harmonies and acoustic instrumentation. The song was written by the group's guitarist, Keith Potger, and was released in 1966.

Play a capo 2nd fret in standard tuning for this one with the chords Am, Dm, E7, G, C, A7, Fm and an Esus. A bit of lead while playing a down down up down up down down down and repeat rhythm pattern.

Let The Feeling Begin is a song by The Steam Machine but it's difficult to find any info on this song. 

I'm not sure but this may be a song from 1971 and the band may be based out of Germany. I'll leave it here for the time being.

For rhythm here a down down down up down up and repeat pattern will work in standard tuning and a capo 2nd fret to keep the original key. There is some lead while playing the chords D, G, Em, A7, Fm, A#, D# and G#.

Happy Together was released as a single by The Turtles back in 1967 and reached #1 in the US market although they did have a few top 10 hits.

This one hails from the album "Happy Together".

I'm playing this one with a capo on the 4th fret in standard tuning and no lead work here. The chords are Dm, C, A#, A, Am7 and F using a down up down up and repeat rhythm pattern with some shuffle strumming.

You Baby is a song by The Turtles that was released in 1966. It was written by P.F. Sloan and Steve Barri, who were renowned songwriters and producers during the 1960s. The song became one of The Turtles' notable hits, reaching number 20 on the Billboard Hot 100 chart.

The Turtles' rendition of "You Baby" became a radio favorite and contributed to their growing popularity during the mid-1960s.

It's worth noting that "You Baby" has also been recorded by other artists, including The Lovin' Spoonful and Cher, further showcasing its appeal and versatility as a well-loved song from the era.

This one is played with a steady up and down rhythm pattern and one spot where you'll play all down strokes. It's a capo 4th if you can sing that high but I'm om the 2nd fret in standard tuning play the chords G, Bm, C, D, Am7 and a G6. A few riffs only in this one.

That Thing You Do, is a song by The Wonders, a fictional band from the 1996 film "That Thing You Do!" written and directed by Tom Hanks. The movie is about a one-hit wonder band from Erie, Pennsylvania, in the 1960s.

The song was written by Adam Schlesinger and recorded by the real band Fountains of Wayne. Although The Wonders are not a real band, their story and music pay tribute to 1960s pop rock and the experiences of real bands from that era.

This one is in Drop D Tuning and a capo 2nd fret with the chords D, G, A, Bm, G7, C, A7, D7, Gm, A/A#, A7sus and A#. Several rhythm patterns including and down up down up while playing a walking bass, some down strokes and chops throughout. Some lead work in this one.

She's Not There was the first single in 1964 from The Zombies, a British rock band. It's a song that would become very famous.

You can find this song on their first album called "Begin Here." The song was written by their keyboard player, Rod Argent.

"She's Not There" did really well on the music charts. In the United States, it climbed all the way to the second position on the Billboard Hot 100, which is quite high!

In the United Kingdom, it reached the 12th spot on the UK Singles Chart. This means a lot of people were listening to this song and liked it very much.

You can play this one in standard tuning with a down down up down up down up and repeat rhythm pattern and no lead. The chords here are Am7, A, Am, D, Dm, E7 and a C.

Tell Her No is a song that was released in the same era, during the 1960s, when The Zombies making a name for themselves in the music world. "Tell Her No" was one of their most well-known songs.

Just like "She's Not There," "Tell Her No" also did really well on the music charts. In the United States, it reached the 6th position on the Billboard Hot 100, which is a great achievement for a band. It was a catchy tune that a lot of people enjoyed listening to.

This song was written by Rod Argent, the same member who wrote "She's Not There." He was the band's keyboard player and a talented songwriter.

"Tell Her No" left a lasting legacy. It's considered one of the classics from the 1960s. Over the years, different artists and bands have covered this song because it's such a great tune.

This one has a down down up up down up - down down up up down up and repeat rhythm pattern with a few chops here and there. Played in standard tuning, there is no lead here while you play through the chords Em7/A, Dmaj7, E7, A6, Bm, D, Em and a G6.

Time Of The Season also had a lot of success on the music charts. In the United States, it became a massive hit, reaching the 3rd position on the Billboard Hot 100. This showed how much people loved this song and the band's music.

The track was written by Rod Argent, the talented keyboard player of The Zombies. He was not only good at playing the keyboard but also at creating wonderful songs

"Time of the Season" is not just a song from the past; it's a timeless piece of music that has left a lasting mark on the world of rock and pop.

For chords here you'll play an Em, C, G, G6 and Am7 in standard tuning but some lead is required here. Play a down down up down down up down up rhythm pattern but this one has a riff with a quick shuffle as well.